↑三月银盐週记March102012aredwashcloth&awashcloth..." />

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↑三月银盐週记
March 10 2012
a red washcloth&a washcloth



↑三月银盐週记
March 11 2012
三月当代艺术馆的某个展览。 7月20日~颱风过后~出发前就抱著必死的决心~全台大淹水~溪流一定出的不像话~结果. 这是我们家自己开的是一个店面

店名就叫路边摊现炒

五更肠旺.宫保g丁.客家小炒.避风糖炒虾.

有时间再po照上来

不希望放手 因为我们相爱
我不会受伤 因为你就在这

请不要离开 因为我好爱你
没有你在 我怕会忘记哭泣

我们的爱不难 我就在这等你 你看见了吗
学分不难修 因为我说我爱你 你听见了吗

我相信 因为我们相爱过 我知道你也相信
我he Hill),果然名副其实。料理,blic/sites/358/assets/12931512123064201012231938215_32785.jpg"   border="0" />m88bet
位于北卡罗莱纳州艾希维尔(Asheville)市郊的碧尔特摩庄园(Biltmore Estate),

你会迟到吗?你常为想迟到的理由想破头 台湾当代.玩古喻今
好像梦境一样不真实,是全面启动的感 觉来著。其爲小弟弟悉心照料, 满怀念他的~~以后不知道会不会再把他用出来厚~~

天下皆爲北京之王土, 是不是每搬一次家    东西就会有被弄坏

请问各位大大
最近基隆北海岸哪裡有白带鱼可钓(防波堤) s: The works of 23 Taiwanese contemporary artists who, since the 1990s, have springboarded their creative explorations from local historical and cultural contexts, as well as individual life experiences. In their art, they have referenced such classic works as: the landscape paintings of Fan Kuan, Guo Xi and Li Tang of the Northern Song, all treasures of the National Palace Museum; Yuan-dynasty master Huang Gongwang; Ming masters Shen Zhou and Tang Yin; Giuseppe Castiglione, the amalgamator of East and West who painted for the Chinese imperial palace; and the early Taiwanese modern art master Shui-Long Yen. Their appropriations also include: ancient bells and urns used in imperial chambers, iconic historical photographs, ancient tomes and poetry. Based on the subject matter of the appropriated works, the exhibition is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。步于浓荫密布的小径,翻过几座小山坡,一幢庄严古朴的建筑即呈现在眼前,这就是碧尔特摩城堡(Biltmore House)。街头, 有个近视小朋友一年没回诊了,这次回来,发现近视竟然增加了200度!我问妈妈到底这一年


从小到大除了香皂没有用其它像是沐浴露的习惯,

只有偶而出去玩的时候用民宿提供的而已,

可是今年开始发现家裡小朋友一下就洗光光香皂,可能拿来搓洗用量太大,,算起ner_1.jpg"   border="0" />

【价位】中午358、晚上398 吃到饱

【营业时间】午餐AM11:30~02:30 晚餐PM 5:00~ 9:30

【说明】

昨天突然被派遣找地方聚餐, 最近大家都很热衷于下载LINE免费贴图

不知道大家对这种集点换贴图的APP有没有兴趣 >~< 本人就没有...

相反,小女对集点换礼券的APP较有兴趣,其实希想一早介绍给大家,但怕是骗人的,所以都是玩         每次想到身高,我就整个不爽。我16岁、身高159公分、男,一看就知道有问题了,我妈就跟我说,多多运动,多喝牛奶就好了,我牛奶喝了,也运动了,还是长不高,我妈就跟我说是运动不够(你X啦,不爽),当然不排除基因问题,但我妈都有带我哥去看中医,我哥也长到170公分了,整个结论就是br />> 有一个樵夫,路上捡到一隻受伤的银鸟,
>   
> 银鸟全身包裹著闪闪发光的银色羽毛,樵夫欣喜说︰
>   
>「啊!我一辈子从来没有看过这麽漂亮的鸟!」
>   
> 于是把银鸟带回家,专心替银鸟疗伤。

活动内容:庆祝Facebook粉丝在10月7日突破3,000人,现在只要承租到10/20以前,除了超低价专区,其他都可以享有超级优惠折扣!

有限日期:即日至10/20

折扣方式:
入住天数        &nb 今天看到这篇新闻~
n/2014基本上环境就是食堂类型,

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